Circumscription of Space and the Form of Poe's Arthur Gordon Pym

Circumscription of space is a fundamental and necessary feature of Poe's fictional universe of negative possibility. That his characters are almost always narrowly circumscribed suggests their severely limited prospects and interests. Diminished space also represents withdrawal into self, and Poe's centers of diminished space often contain symbols of that destructive core of the inner self which continually threatens the moral and rational being of the Poe protagonist. In undertaking The Narrative of Arthur Gordon Pym, Poe was committing himself uncharacteristically not only to the representation of movement in space but also to an objective mode of development, outward and ongoing testing and discovery of self in the infinite possibilities of space. The curious form of Arthur Gordon Pym is the result not so much of careless incompetence (as recent scholarship has suggested) as of a fundamental conflict between psychological inclination and the formal requirements of an unfamiliar genre. But this work is of special interest, since Arthur Gordon Pym is a first effort in an important line of experimentation in American fiction, the transformation of an undistinguished form, the sea narrative, into a vehicle of major literature.